Wrath of Man

Second trip back to the movies! Maybe not quite as glorious and momentous as the first, but still happy to be back in my happy place. I still hadn’t activated my A-List (I have since tho, for next weekend’s tix), so I opted for the other nearby Cinemark, mostly to be able to swing by Dave and Busters after, which I have also missed.

First “huh, the world has changed” moment was parking. I usually just shoot straight for the back of the lot and park in the basement. Once I got to that area, I realized I hadn’t seen any parked cars for a bit. I initially proceeded to park there anyway outta habit, but then figured it might be a safety issue parking in such isolation. Besides, if I parked closer, it’d be less of a pain to drop off my water bottle between the movie and games. I’d never even paid attention to the other areas of the parking structure, so I’d never realized how much of it was fair game. I think I’d assumed the time limited spots went on much longer than they did. Weird.

Theater was slightly more full than the one the week before. Someone was even sitting in my seat, but the rest of the row was empty enough that I easily found an open and distanced spot. You know me, avoiding confrontation and social interaction whenever I can! This time there were two people pulling out phones during the film, including the older lady further along my row who also was talking and eating popcorn loudly. Ugh. I didn’t dare look around to see who was masked or not. Starting to feel like my double mask is overkill. I mean, I know it is, but it’s a security blanket right now. Maybe I’ll lose it for next week, but I’m still not ready for movie snacks (even though I’ve got a freebie popcorn that expires soon).

As far as the movie, it was fine. I love Guy Ritchie and Jason Statham, especially when working together. And while this felt in the general direction of what they do well, it wasn’t quite what either excel at. Ritchie is good at gritty crime dramas, but he’s best at gangster, which this was not. Statham kinda brought some of his old Transporter attitude, but most of his action was weapons driven, not as physical as I like to see from him.

The trailer did give away a major plot point that while it was a good hook to sell the film, I feel like it would have been a better experience as a reveal in the film. My biggest problem though was the excessive and slightly confusing backstory. Basically, the film was structured thusly: Setup, Backstory A, Backstory B, Explosive Conlusion. Backstory A was what lost my interest. The hierarchy and relationship of the players wasn’t very clear to me, and wasn’t as strong as the rest.

Oh the other thing that bears mentioning is Scott Eastwood. He’s certainly been making a name for himself in the action space, this time trying to branch into the baddie role. Emphasis on trying. He’s got the attitude, but his expressions were a bit much, like he was REALLY working at being evil. It got a little annoying. Still, it’s a direction I’d be interested in seeing him follow a bit more in the future.

All in all, it made for a fun outing, but nothing that’s gonna be particularly memorable. Did well at Dave and Busters after. Added another 2,000 points to my card, and didn’t find anything worth spending them on. Well, there’s stuff I could have bought, but nothing I had to have. Although maybe I should go back for that Captain Marvel hat… Nah, I’ve got way too much MCU merch already

Wrath of Man – \m/ \m/ \m/


After 413 days, I triumphantly returned to the movies!! Caught an early bird matinee of Nobody at the nearby Cinemark, and it felt so so good to be home. As expected and hoped, I walked outta there with the gears turning with all the things I wanted to write about after. But also, as expected, I’ve procrastinated and still feel a bit of the chore feeling now that I’m finally sitting in front of the screen. We’ll still continue to assess my feelings towards blogging, but first, Nobody!

Well let’s back it up a bit and set the scene. I’d been eyeing Spiral in a couple weeks as my first big must movie, but I wanted to ease into a new release. I’d been hearing more and more good things about Nobody (and not much other than it’s really good), so I figured something that was out for a few weeks was a good return back to the world.

Pulled up to the theater and walked in taking a million pictures to document my excitement. Minimal human contact throughout the event, just as I like it (even pre-Covid). I made sure to arrive early enough for trailers, to get the full experience. Before, I’d try to time my arrival to be as close to the actual film time as possible. Going 2-3x a week, I’d have seen every trailer a million times, but on this lovely Saturday I was blissfully outta the loop. Had only seen a couple of them, and gleefully added the others to my mental calendar for the next couple weeks.

No one else showed up until the credits were underway. There was a trio of older gentlemen who sat further back. They made me happy, cause I was just picturing a Grandpa’s day out of these guys catching an early action movie together. The dude who sat at the other end of my row made me less happy. I kept catching the light off his phone, and the first time I looked over, his mask was below his nose. I looked over later, and it was off completely. Ugh, people.

I, on the other hand, was double masked (tho fully vaxxed) throughout. I brought a water bottle, but didn’t touch it. At one point early on, I did feel my asthma acting up a bit from the hardcore face-wear, so I had to hit my inhaler (which hadn’t been used in a while and needed some extra sprays). I’m in the process of getting the script on my glasses redone, so thankfully I didn’t hafta worry about juggling those with the mask.

And the movie? Oh my God, I could not have picked a better one to return for. I knew absolutely nothing going in, other than Bob Odenkirk and some likely ass kicking, so I’ll keep the details out. The mystery of the story unfolding was a big part of the fun. Suffice it to say, that this is absolutely the type of movie I love. I was sitting there thinking that if I were to ever make a film, I’d want it to be just like this one. Another thought soon followed, which was that all those elements that I loved were the same ones my Daddy loved. So a movie that’s perfectly me is really perfectly him, and it was his love of this genre that was seemingly passed on genetically.

So what exactly were those elements? First off, the action sequences were EXACTLY how I like them. Gritty and dirty, all practical effects, no overly polished CGI. Our leading man, Bob Odenkirk, was very unlikely and unassuming, and most importantly, he took quite a few hits himself. Reminiscent of Statham in the Transporter days (minus the martial arts) before he had to count how many times he was punched in the face, lest he looked weak. Seriously, I was sitting there watching this thinking, oh my God am I actually feeling attraction for Saul Goodman? What world are we living in? But dang, Bob was killer in this role.

The other thing I loved was just the right level of dark humor woven throughout. Much of it ventured towards the absurd, but just enough to make you chuckle thru a WTF. I also muttered a lot of enthusiastic “Yes!!!”-es through my mask when the funny met the punchy. This film also gives us what may be my new favorite line of dialog ever. I won’t spoil it, but will just say it’s up there with “Sometimes I doubt your commitment to Sparkle Motion”.

If I had to make a complaint, it’s that we spent a tad too long with the baddies. They were far less interesting and much more typical. As long as our boy Bob was on screen, I was enthralled. When he was gone, slightly less interest. Still, I’m awarding full marks because I so completely loved everything else. Such a great welcome back to the cinema. Please don’t ever let me take such a long hiatus again.

Nobody – \m/ \m/ \m/ \m/

Oscars 2021, sort of

I hit my immunity date today. 2 weeks after receiving a surprise J&J vaccine when I had to stop by the doc’s for a quick follow up appt. So I’ll be ready for the first round of “must movies” on my list. Black Widow is the only movie I woulda gone to if I wasn’t vaxxed, but thankfully with that pushed, I’ll be good well before then. First one I hafta go to is Spiral, but I might get one or two in before that. Still debating if I wanna keep this blog going tho. I keep having technical issues that don’t feel like they’re worth the hassle. At this point, it’s a sunk cost fallacy problem. I’ve put so much work into it, have soooo many posts (over 1800), and hell it even helped me get my current job, but it doesn’t seem to be going anywhere and it became such a chore. Just today I spent way too long trying to get an SSL certificate since my security software doesn’t like my page. We’ll see how things go this summer tho.

But first, Oscar movies. After over a decade of hitting at least every best picture, most if not all of the above the line nominees, and the majority of the ones that didn’t include the words “documentary”, “short”, or “foreign”, I barely got any in this year. Obvi I wasn’t going to see things in theaters. I’ve still been on a roll with buying movies and revisiting things on my wall, that I didn’t wanna put much money or effort into tracking these down. So my recap will be short this year.

Best Picture

Minari – Absolutely gorgeous and worth all the hype that built it up. It’s beautiful in its simplicity, and felt so different. Sadly, it felt different because this is a type of representation we haven’t seen much of lately, but hopefully it’s another step forward to a more inclusive cinema scene.
Mank – I got bored watching this and just never got around to finishing it. It’s like it was trying too hard to live up to the legacy of Citizen Kane, but comes off too pretentious. I say all this as a huge David Fincher fan.
Sound of Metal – Loved this movie. Another unique perspective and story that hasn’t been explored much on film. The feel of the film is a little rough and unpolished, so not what I’d normally peg as a best pic. Bonus points for any movie that gets me to momentarily brush off my minimal ASL skillz.
Promising Young Woman – Easily my favorite, and the one I want to win all the awards, tho I don’t see it as the type of film the Academy would get behind as their best pic. However, it is a frontrunner for screenplay, which I am completely behind. If I had seen this in a theater in 2020, it certainly would have made my top ten and possibly even been my #1. It’s very much my thing: dark and funny and smart and stylish.
The Father – Didn’t care enough to chase this one down. I’ll get to it one day.
Judas and the Black Messiah – I really wanna see this one. Right now my only options are to pay $20 to rent it in time to watch it once for the Oscars or pay $20 to own the BluRay a week late. I already put in my pre-order.
Nomadland -Timely story, beautifully crafted on all fronts, but for what’s being touted as the current front runner, I wasn’t very impressed. There was a wow factor missing for me.
The Trial of the Chicago 7 – Enjoyed it, as I always do Aaron Sorkin, but he sets a very high bar. It feels like a very safe nominee, since Sorkin already has a base level wow factor, I didn’t feel like it added anything above and beyond what we’re used to from him. The performances were quite entertaining for sure tho.

Best Actor

I’m a little torn on this one. First off, very upset that Delroy Lindo didn’t get in for Da Five Bloods (which should have been nominated across the board for things, including picture). I want Chadwick Boseman to have his posthumous Oscar, and I suspect he will. Actually, I wanted him in for supporting for Bloods to take that win and give this to Lindo or Ahmed (more on him in a second). I wasn’t as wowed by Ma Rainey’s and its performances as others were, but I was in a weird headspace when I was watching it: alone on Christmas, wearing new glasses with an incorrect script that were giving me headaches. Speaking completely objectively, I loved Riz Ahmed in Sound of Metal. That was the full package for me with the emotional performance and the added difficulty of learning ASL. Also love Steven Yeun in Minari, but his nomination is his victory.

Best Actress

The one thing I most wanna see happen this year (that isn’t otherwise guaranteed or impossible) is Carey Mulligan taking this. This category is wide open this year with each lady taking a different precursor, but Mulligan has been gunning for this honor since An Education. The Academy does love to crown younger actresses on their way up (Natalie Portman, Emma Stone, Reese Witherspoon, etc), even if she’s been on her way for a while. As much as I love Frances McDormand, she already has two and for me Nomadland was nowhere on par with her previous wins. Granted, this was more subtle than showy, but she’s not doing it for me. Viola Davis was all show, but not a very substantive role for my tastes. I haven’t seen the other two.

Best Supporting Actress

I’ve only seen Amanda Seyfried and Youn Yuh-jung, and I absolutely fell in love with Yuh-jung. Would be happy with her winning to represent Minari. I do feel bad for Glenn Close who has been nominated so many times, but will likely still go home empty handed. From the negative buzz I’ve heard about Hillbilly Elegy, I’m surprised she even made it on here. Have heard good things about Maria Bakalova, and wouldn’t be upset with her getting it. She’s a little green tho, so it’s a long shot.

Best Supporting Actor

Word on the street is this is Daniel Kaluuya’s to lose, and even without seeing his performance yet, I’m on board. He’s another one that’s been predestined to win one day, and this may be that day. I appreciate Paul Raci’s nomination, but that’s as far as he’s going. I did like Sacha Baron Cohen and could see him taking it as a celebration of Trial and Borat, but I don’t think it’ll go that way.

That’s about as much as I have any real opinions on this year. Still debating if I’m gonna try and put effort into finding a way to watch or if I’ll just watch highlight clips the next day. But at least my return to theaters is nigh

2020 Recap, sort of

First, an explanation. I sorta abandoned the blog a couple months ago. I’m fine. I’m still here and watching movies. I was just finding it hard to write about them. I even stopped my daily Stardust posting and cut down to once a week or so, only if I felt I had something specific to say. Two main reasons I think I’ve been struggling to write. One, an overload of content I’m watching. Somewhere between 15-20 a week, gets hard to find unique things to say, esp as they all blur together. Second, if you’ve ever read thru my posts, you know I like to write about personal experience. But the majority of my experience this year was all the same, in lockdown inside, watching at home. No new adventures to speak of. It got old. I found anytime I wrote anything, blog post, social media status, friendly email, it always sounded bleak, even if I truly was feeling okay.

This blog has also been feeling like a chore of late, so I thought it was a good excuse to take a break. Once the theaters open back up, we’ll see how I feel about returning to my rule of writing up everything I see. There’s also the matter of my wonky eyesight that makes blogging difficult. We’ve figured out that more than just computer vision syndrome, I’m farsighted, but my eyes have worked overtime to adjust to hide it. The new strategy is full time progressive glasses, which sounds promising, but the adjustment period has been brutal. It’ll prolly still be a couple weeks until I see real results, and that’s if I don’t decide I need to go back in to get my script tweaked. Jury’s still out.

See what I mean about everything I write sounding bleak? Srsly, I’m okay, really.

Anyways, this is usually when I do this big crazy blog post writing up everything I saw in theaters in the previous year, doing every sort I can think of on my OCD Excel sheet to give stats no one cares about except me, and picking out my favorite and least favorite films. Obvi this year is different. I still have the crazy sheet, but it stops at row 31. March 14th, Burden at AMC Marina Classic. Yeah it’s a weird answer to “last movie I saw in a theater” because no one knows that one. Sometimes I lie and say Bloodshot at Alamo the night before. Fwiw, between March 5-14, there were only two days I didn’t see something in a theater, so at least I did try to go out with a bang without even knowing I was going out.

But on the upside, I did see A TON of movies at home, which is something I’m super grateful for. As stated in previous posts, I’ve been revisiting things collecting dust on my movie wall. And buying a bunch of new things too. And occassionally venturing into streaming, esp when I trialed HBO for a month this fall, and just bought another month for WW84. Unfortunately, I didn’t keep as meticulous track of these as I would theater movies. It was at least 4-5 weeks until I started taking pix of my watched piles, and I didn’t track anything digital at all. Oh and counting all those in the pile, plus the small pile since the last pic, I’ve got 616 movies. I’m sure I prolly cleared at least 750 all told.

Also, as a rule, I tried to avoid repeats. At the very least, I didn’t grab a DVD off the shelf twice. The few I did have were usually cause I rented something digitally, loved it, bought it, watched the physical copy. Or tried watching an older DVD that was degraded and skipped, so I bought and watched a replacement.

That said, I do have a bit of a twist I wanna do on my Top 10 of the year. But since there were slim pickings on new things, and I didn’t track old ones very well, they might not be very thought out. I’m sure there’s obvious things I’m missing, but I’m going with my instinctual response on these rather than obsessively combing thru my history. So the ten aren’t ranked, but they’re categorized. Not ranked within the categories either. And of course sneaking in some honorable mentions to cheat because I can’t ever stick to my numbers

Favorites of 2020 in a theater

  • The Invisible Man – Thriller is def my genre, and this one was straight up terrifying in a real world sort of way. No, not because of the invisibility, but because of the gaslighting and isolation and abuse. Powerful.
  • Sonic the Hedgehog – All signs pointed to this failing like all video game films tend to do, but it didn’t. It was so much fun, staying very true to the source, and full of hilarious moments and committed performances.
  • Onward – Kind of a toss up with my HM (which is more of a “me” movie) but you can’t beat the emotional impact of a Pixar movie. I cried through the whole thing, and did so on the rewatch too.
  • HM: Guns Akimbo

Favorite classic film theater experience

  • To Wong Foo, Thanks For Everything, Julie Newmar – This really was three way tossup. Nosferatu was the best experience of the film itself. Wong Foo and Dracula both had to do with the magic of Alamo Drafthouse. Dracula was for my bday, and my last big social outing before the apocalypse, but most of the fun was over before we got to the auditorium. Wong Foo was more about the fun of the movie itself, cosplaying with my two nearest and dearest, and then followed up with the lip sync event downstairs. Prolly the single most fun event in a year with few.
  • HM: Nosferatu, Bram Stoker’s Dracula

Favorites of 2020 at home

  • Bill and Ted Face the Music – If you’d asked me before yesterday, I might’ve said this was my favorite 2020 movie. It brought me so much joy at a time when it was hard to come by. Unfortunately, the magic didn’t carry thru on my rewatch yesterday, but it might have just been overhype on my part. Still, very much the movie this year needed.
  • Tenet – If you pressed me, I might pick this as my fave movie. It doesn’t quite feel like a fave, but I’ve been obsessed and can’t get it outta my head. It really warrants its own post, but who knows if I’ll write it. I love the vibe and the story, and its one of those that feels just this side of understanding. I got the full story on the first watch, but have been driving myself nuts on the second watch and later trying to understand the details of how it all works. I love that kinda stuff.
  • The King of Staten Island – Interestingly, a Judd Apatow film starring Pete Davidson doesn’t make my list for the humor as much as for the feels. This movie was pure heart and it makes me happy to think about. And yes, it is still funny. And just the right level of inappropriate.
  • HM: Da 5 Bloods

Favorite new to me classics at home

  • Tammy and the T-Rex – Now this is really my favorite thing I saw this year. My new obsession, and I’m determined to show it at a movie night. It’s so terrible in the best possible way. Tommy Wiseau, eat your heart out.
  • Con Air – As I’m fairly sure I said before, I coulda sworn I’d seen this before, but there’s no way I forgot that much awesome. Similar to Tammy, it’s bad in all the right ways. But it’s also much more my genre, and the type of movie my Daddy raised me to love.
  • Before Sunrise – The whole trilogy really stuck with me, but the first movie is the best, I think. So effortless and beautiful. Never woulda thought I’d have loved a romance as much as this one, but stranger things happened in 2020

Soooo yeah, there you have it. Movies happened. I had more opinions than I wrote about. Gonna prolly stay on hiatus for a bit unless the spirit moves me (I really should write that Tenet post), esp with yoga teacher training taking up huge chunks of time. But I’m staying optimistic for 2021. Lots of killer content piling up, and I can’t wait to be back at my second home watching it all in a packed room full of strangers.

Quick Posts

Set it Off – This movie is from 1996, but it feels like it was shot yesterday. Four black women rage against the system that’s held them down. They’ve had family shot by police for no reason, lost jobs just because of who lives in their neighborhood, had children taken away under BS pretenses. Their answer? Rob some banks and watch the city burn. Loved Queen Latifah’s performance and just simply love Jada always. As a heist movie it’s okay, but as cultural commentary, it’s incendiary. And infuriating that we’re still in the exact same place today.

Whatever it Takes – This a mediocre at best teen comedy that gets lost in the shuffle of many from its era that are infinitely better. But what I hadn’t realized (mostly cause I’d forgotten everything about this movie) was that it was also part of the trend of modernized adaptations of classics. This one is Cyrano de Bergerac. With that context, it’s kinda cool, even if it’s otherwise not too exciting as written. What is kinda exciting is the cast. I bought it cause of James Franco. I didn’t realize that this was the film debut of Aaron Paul. If you ever saw that Juice Fruit commercial, it’s like that character got written into a movie. Sort of a long precursor to Jesse Pinkman without the nuance. Colin Hanks is here too!

Mirage – As of writing, I’ve only seen half of this movie. I was really tired and didn’t wanna fall asleep watching it. But this movie is so cool. It’s one of the ones on my poster and I found it on Netflix. It’s a Spanish film that plays out similar to Frequency. A lady in the present is communicating with a child in the 80s due to some technological phenomenon. She’s trying to save him from a horrible death, but in doing so upends her entire life. So now she’s gotta try to put it all back together. I’m digging it

Whip It – This movie always makes me wanna join the roller derby. I actually had sort of an opportunity a couple years ago. I knew someone in it, who tried recruiting me. She even offered to teach me when I told her I couldn’t skate. I chickened out thinking about how breakable I am, but I’d thought that if she brought it up again I might check it out. She never did. This movie is just such a fun display of girl power. I LOVE the attitude that everyone of them bring to the film (oh hi Zoe Bell!) that I just want to be them. And I really think I could be. Except I don’t skate

Akeelah and the Bee

I’d never had any interest in the movie. Spelling Bees just not that exciting (although I will admit that I adore the 25th Annual Putnam County Spelling Bee and even directed it back in Boston). But it was on the cheap rack at BookMonster, the one that’s outside the store because they don’t care if people run off with some of the deeply discounted merch. Earlier that day, the poll on Microsoft Rewards had asked what coming of age story you’d rather watch, with Akeelah being an option. I can’t remember what the other choice was, but it was such an obvious pick for me, that I quickly selected it and moved on. But the idea of Akeelah stuck with me. Why was I so quick to dismiss it? Seeing it on the discount rack gave me no excuse. I’m oh so very glad that this film got into my head because I absolutely adored it.

Akeelah is an underprivileged kid in Los Angeles (sidebar: was super proud of me for being able to recognize most neighborhoods mentioned), who is very smart, but doesn’t really apply herself much at school. She’s talked into competing in the school spelling bee and a world of opportunities open up for her. Sounds kinda basic, and on the surface it is. But it’s what runs deeper that makes this movie special.

For one, I think this movie is super important for representation. This little black girl (and itty bitty Keke Palmer) has to learn how to navigate her community and limited resources in order to move up. But the fact that she is able to prove herself and be extremely competitive is hugely important for kids to see.

But what struck me most in this film was the sense of community. Everyone she met was rallying behind her. Even the thug that her brother hangs out with would help quiz her and was watching the competition on tv. It was so beautiful and powerful and exactly the message of hope that we need right now.

Quick Posts

I Am Sam – I think we found a movie that is too sweet for even a Disney kid. This movie is just drowning in saccharine, pushing you to root for a certain outcome that may not actually be the best one. One top of that, it was unnecessarily frenetic rivaling Uncut Gems with how anxiety inducing it was having people loudly talking over each other. I should love this movie. It’s a really good story with a fantastic cast, it just isn’t coherent.

Run Lola Run – On the flip side, here’s a movie where its frenetic pace was its greatest strength. This movie is so cool and stylish. Absolutely gorgeous to watch while it gets the blood pumping. I’d also recommend this as a gateway foreign film. I know that subtitles can be a struggle for some, but the dialog here is minimal. The visuals are what carry the story and what incredible visuals they are.

The Haunted Mansion – I only liked it because I’m a Disney kid and I’ve been on the haunted mansion ride countless times. I spent the whole movie looking for Easter eggs (or hidden Mickeys), identifying references to bits of the Disneyland attraction. Take that element out, and it’s kinda dull. To be fair, there aren’t a lot of kiddie horror movies, so it absolutely gets points for trying, but it’s not worth your time without the Disney knowledge

Seabiscuit – This is one that’d I’d put off for a long time because what do I care about horse racing? But it’s on the poster and it was two bucks at BookMonster. So I watched it, and enjoyed it in the moment, because everyone loves a good underdog sports movies. However, I’m sure I’ll quickly forget about it because, what do I care about horse racing?

Mr and Mrs Smith – This has to be one of the sexiest movies ever made. Palpable chemistry between two of the most gorgeous humans on the planet. But for me, the sexiness goes deeper than that. It’s in the playfulness of it all. The movie isn’t lewd or overtly talking about sex (for the most part). It’s the way they tease each other, stimulating each other’s minds more than each other’s, well you know. That’s what’s truly sexy to me.

Little Giants – This was a childhood favorite, and it explains so much about some of my screwier outlooks on life. I’ve always been a tomboy, but watching Icebox hit it off with itty bitty Devon Sawa made me really lean into that identity as a tween. Surely every pretty boy wants a girl who’s just one of the guys, yeah? That might not have quite worked out for me, but maybe it’s better that I was myself instead of trying to be one of the hottie type girls. Lord knows that would not have worked out well for me either.


Of course, I had to throw whatever Chadwick Boseman movies I could into my queue. This was his big breakout role, where he played baseball legend and first black MLB player Jackie Robinson. Watching this really made me think of the definition of a hero.

Yeah he played baseball. That was about the extent of what I knew about Robinson. Hell, I’d even seen this movie once before and just kinda thought of it like any biopic or sports movie. It’s not that I didn’t think Robinson was a hero, it’s that I didn’t get the extent to which he truly was. I didn’t fully comprehend what being that first person truly entailed.

Watching it this time, especially in the current climate this world is in, the message really sank home. He suffered so much abuse just for trying to do his job. As much as he wanted to fight back, he knew that it took more strength to ignore it as best he could and focus on his work. If he gave in and went off on somebody or cracked under the pressure, it’d be all over not just for him but for anybody that followed. He had to go thru hell in order to be the first one to come out on the other side, so that somebody else could come next. That’s what was heroic.

Enough Said

I made a long overdue trip down to BookMonster in Santa Monica this weekend. It’s a used Bookstore that has one aisle of DVD’s, usually priced for only a couple bucks. Typically I spent like 20 bucks on a stack of maybe a dozen discs. For this trip, I budgeted twice that since I wanted some actual books too. But then I found myself indiscriminately throwing 1, 2, and 3 dollar movies into my little basket. Ended up spending 90 on about 30 movies and 3 books. Guess Black Friday came early.

I separated a stack of high priority movies to try to get thru over the long weekend (although I lost most of one day to assembling Ikea furniture). Among those, Enough Said. One of James Gandolfini’s final films. I’d only just watched The Sopranos last year, so I’d previously not had any interest in a romance (gag) he starred in. I haven’t been able to get it outta my head in the two days since I’ve seen it.

Gandolfini stars with Julia Louis-Dreyfus, in this sweet film about romance at an older age. Both of them are divorced, facing an upcoming empty nest with their children planning to leave for college. I’ll keep the complication to myself because I didn’t see it coming, and thought it was quite clever (even if it ventured into that awkward territory where you know it’s gonna blow up in everyone’s faces). This movie also gets bonus points for starring not only one goddess (Julia) but also Catherine Keener and Toni Colette.

People who knew him consider this role to have been the most like Gandolfini’s actual personality. Watching this, I fell completely completely in love with him. His character was such a loveable dork, so funny and tender. His chemistry with Julia was absolutely sweet and just radiated off the screen. The way he put his arm around her and pulled her in for their first kiss, I just wanted to get lost in that big bear hug. He also gets major bonus points for how respectful he was. He asked a mutual friend to ask permission for her number, and asked her before that kiss. It makes it all the sadder that we lost him so soon, I would have loved to see more sensitive anti-Soprano roles from him.


Told ya we were gonna talk about this movie, cause I can’t get it outta my head. It was on my Fill-In Filmography poster filed under Sci-Fi > Heady Sci-fi > Time Travel Loops. I’d seen the DVD artwork here and there and it always caught my eye, I’d just never thought much about it. It being on the list (and ten bucks in Best Buy rewards points, the exact cost the BluRay) made me finally want it. Ethan Hawke starring further sealed the deal. I’ve certainly gotta move him up my priority list because he sure knows how to pick interesting projects. Anyhoo

Hawke is some type of time traveling special agent. His job is to fix big catastrophic events in the past that will significantly impact our future. He’s been sent on his last assignment, one final shot at stopping a terrorist that has eluded him through multiple time jumps. That’s as much as I’ll say about the plot, except to add that while that seems like a kinda basic storyline, it’s really so much deeper than that. The bomber ends up being almost irrelevant as the story unfolds. Well not so much unfolds as gets told and tangled up and creates all sorts of brain breaking goodness.

(And here, I paused to get some potatoes in the oven and cut my finger with the new knife I got at Ikea. Typing with a giant cotton ball taped on. We’ll see how this goes.)

I’ve talked before about how I love a good brain buster of a film

(Pausing again because the typing made me bleed thru the cotton ball. Trying superglue)

Right. Brain buster. Whenever you deal with timetravel, you’re gonna have that to some extent. The timelines are inherently messy and it did take some thinking on it to get it straightened out in my head. I think the film did a pretty good job of helping you stick with it so you can then take it away as homework. What really bakes your noodle is the paradox aspect of it. I know better than to even try to think about that. I’d say the movie plays with paradox, but that makes it sound so light and fluffy. It fully dives into an ocean of paradox and gets dragged by the undertow. Cool tho. Gets you thinking.

(And my finger’s starting to sting. I think we’ll just leave this there.)