Boondock Saints II: All Saints Day

“First things first, check out my Halloween costume this year. Makes sense I pick something from out of an AFI film 😀

I must have been waiting for today for about six years. It was definitely freshman fall when I first saw the awesome that is Boondock Saints. Someone was watching it in the lounge of 1E. This was before I really knew movies, and I figured that if I hadnt heard of something, it prolly wasnt worth knowing. But I sat and watched anyway as I would for countless movies over the next four years. I \m/ loved it. And I wasnt even familiar enough with Boston at that point in time to fully appreciate it. I acquired the DVD soon after and have watched it so many times since, including every year on or around St Paddy’s Day. I even have one of those jackets with an outline of the bros holding guns on the front and the prayer on the back. I wore it every day for two years until the zipper broke.

Way back then, there was an IMDB page for Boondock Saints II: All Saints Day. I’d check it every couple of weeks, and the release date got pushed back and back. Then one day, the page was gone. I nearly cried. Then I didnt really think about it after a while. Fast foward to a few months ago, I hear whispers of All Saints Day. Without expecting much, I searched for the IMDB page and holy \m/ it was fully fleshed out, with a cast and synposis and release date and everything else that proves a movie is legit. I did a happy dance.

So now we finally get to the day where I get to see this \m/ movie. I was filled with equal parts anticipation and apprehension. Would it be one of those sequels that surpasses the original like Dark Knight (which I knew was extremely unlikely) or would it pull a Matrix and be bad enough to taint the original (very much within the realm of possibility). Verdict: closer to the Matrix end of the spectrum, but not that bad.

I think Troy Duffy was just trying way to \m/ hard. There were too many awkwardly placed one-liners. The need to reference every iconic moment and relive every joke felt very forced. The pacing was very slow. It kinda felt like he was also trying to build the boys’ bad-ass-itude as much as possible, but really, they dont need any help. Simplicity would have been a much more effective route.

It wasn’t all bad. The action scenes were fantastic, prolly the best part of the whole thing. It was the same scheme as last time, lotsa cool slo-mo shots, and walk thru’s with the detective narrating. And while most fell flat, there were a couple of well placed lines that were hi-\m/-larious.

The MacManus boys themselves were great, as expected. (Im still very much in love with Murphy MacManus) And I adore Billy Connelly as Il Duce, aka Daddy MacManus, and while it was interesting to get his backstory, I really care more about the boys. Clifton Collins Jr. appears in yet another movie this year. He was kinda annoying, and not as endearing as Rocco ended up (his character was kinda the replacement Rocco). The big disappointment was Julie Benz. She’s usually one of my favorites. I mean c’mon she was Darla in the Buffyverse and she’s on Dexter. But she attempted a southern accent. Big. Mistake. She had a chance for a really bad ass, tough as nails, femme fatale character and I really couldnt stand her. Kinda sad.

Overall, worth a watch if you’re a fan of the Saints, but dont go in expecting too much.

Boondock Saints II: All Saints Day – \m/ \m/ \n

The Kids Are All Right

“This film eluded me all summer. It was the only indie I was really interested in, but JCS kept me from getting out to the theater. I’d pretty much accepted the fact that it was gonna hafta wait fo the DVD. I’d actually intended to go see Howl today, but then I figured if today’s movie watching was gonna involve a bit of a trek, why not go all out and head over to the Kendall for this one. As a bonus, I got to have dinner at CBC which meant A) I got that burger that I’ve been jonesing for all week and 2) a pint of their pumpkin ale which is my absolute fave beer. And it also worked out cause I could use one of my Weekly Cinema tickets (its this really cool deal where you pay a certain amount a month, then get X amount of movie tickets for that month. They work out to about 5-6 bucks a piece. Lemme know if you want more info, cause I think I get a referral bonus). Howl’s at Coolidge Corner which wouldnt work for that.

Sadly, I think this one suffered a little bit from over-hype, or at least overanticipation on my part. I know I know, I always \m/ do this to myself. I get sooooo excited about a film that’s supposed to be soooooooo amazing, and if its anything less I get grumpy. It was good. Really good. But something felt off. I think I expected it to be different, but Im not entirely sure what it was I expected. I still cant quite figure that out.

Two things drew me to this movie. One was the Oscar buzz earning cast. More on them later. The other was just the premise itself, for many reasons. The idea of the “”modern family”” is very interesting to me. I come from a very traditional family, and that is something I very much want for myself, but I do realize that doesnt have to be the only kind of family out there. Also, Im very much a hag. I have a collection of gay boys whom I love and adore, and I wouldn’t hesitate to kill for them. Therefore, Im often drawn to gay characters (Case in point, Kurt is my fave Glee kid. No question). Seriously, I get kinda annoyed with your typical rom-com hetero storyline, but give me a homo storyline and Im jumping up and down squealing (first example that comes to mind is Will & Grace when Taye Diggs guest starred as a love interest for Will).

So yes, the story was unique and compelling, and was flawlessly acted. Walking out of there, I absolutely adored Julianne Moore. From early on in the film, I was thinking that I would totally love to have her as my mom. But then in discussing with my roomie on the walk to CBC, I realized just how nuanced Annette Bening’s performance was. It must have been really difficult to maintain just enough of a sympathetic edge, rather than becoming a totally hated character at times. Definitely will be seeing those wonderful women wandering ’round during awards season. Mark Ruffalo was also quite impressive. I think he’s just been waiting for meatier and meatier roles, and this is certainly a step in the right direction for him.

Getting sleepy now. Go see this movie if you wanna get a jump on Oscar season

The Kids Are All Right – \m/ \m/ \m/


“Aw man, the whole walk home from the Common I was thinkin’ thru everything I wanted to say ’bout this one. Then I got distracted when I got here. Now Im thinking about fishsticks. Gonna try to keep focused and actually do a decent write up.

First off, before we get into Buried, worth noting that I saw The Town again last night. Equally good as the previous viewing, especially since this time I wasn’t getting stuck on the whole hey-thats-right-down-the-street-from-me thing and could actually pay attention to the \m/ movie.

I had some concerns going into Buried. For one, I was in a bit of a funk all day, and was very much distracted on the walk over. That means the movie’s gonna hafta work extra hard to keep my attention. Nextly, there was the concept itself to be concerned about. The thought of the entire movie taking place in a box underground could either be brilliant or godawful.

Verdict? Brilliant! Im not even sure where to start. Guess the beginning. I was hooked from the opening credits. We’ve established that clever opening credits are something Im very much a sucker for. Between the music and the animation, it reminded me of the sinister aspect of the Lemony Snicket’s credits. Yeah, random, I know. Then from the first moments of Ryan Reynolds in the coffin, claustrophobia set in quickly. They wasted no time in establishing that.

In general, I was very impressed with the direction. The shots were beautiful in a sense and very interesting. The emotion was there on screen, and elicited from the audience. The concept actually worked incredibly well. I dont think there’s a better way to put that. It seems as though it accomplished exactly what they set out to do.

So yes, very very emotional movie. I hate the cliche “”emotional rollercoaster”” but this was a perfect example of that. There were scenes that almost choked me up, little bits of laughter here and there, utter digust and anger, suspense, just everything. The disgust and angry inducing bit came outta nowhere for me. Major points for any movie who can blind side me, given that I’ve seen just about everything that can be done on screen. The last few minutes of the film (dont worry, I wont spoil) were absolutely intense. I was sitting at the edge of my seat with my hand over my mouth and my eyes wide. When it was over, I had to sit there for a few minutes to process and let it sink in.

My biggest complaint really isnt reflective of the film itself, more just something that bothers me. As much as I enjoy (or at the very least am more than okay with) going to the movies alone, it really sucks when there’s a snake on screen and I dont have anyone to tell me when its okay to look up again. My usual position is hands in front of my face, head turned away and down a bit, eyes shut as tight as possible. When its just me, I hafta keep peeking to see if its okay again, and its usually not.

I think the only thing I got left to talk about is Mr Reynolds. Damn, I love that guy. You know, there are many far worse people you could choose to be essentially the only actor (voices and video clips dont count) for an entire film. So no complaints there! What I loved is that despite how desperate his situation was, they still managed to work in some of his signature charm/snark combo. But yes, he was def quite good in this one, thankfully because there woulda been no way to work around a bad actor this time.


Buried – \m/ \m/ \m/ \m/

Wall Street: Money Never Sleeps

“This is one of those, I-really-wanna-just-crawl-into-bed-so-this-is-gonna-be-short write ups. Sorry, but two hours running time after waaaay too many trailers, most of which I’d seen, only one of which interested me (The Fighter), means that Im sitting down to write this far later than I’d expected.

Points in its favor: compelling characters, capital cast. Points against: slow paced, heavy on the plot details early on.

At times, it felt like there really wasnt much story, and I was tempted to leave and find out the DWTS results (not that I actually would have left), but the characters pulled me back. It just took so freakin’ long to get anywhere. It built to a pretty satisfying climax, but then the resolution dragged on and on. Almost felt like the last LOTR. You think its done, then there’s another ending and another, and next thing you know you’ve had your jacket on for 30 min just waiting to leave the theater.

I also want to take a moment to say that Shia LaBeouf is a better actor that most give him credit for. Yes, he has films like Transformers in his past, but he is capable of more than that. This was a good chance for him to stretch a bit more. And we all know I love Carey Mulligan and Michael Douglass is the man. Dont think I need to say more ’bout them.

And Im sleepy now

Wall Street: Money Never Sleeps – \m/ \m/ \n

The Social Network

“First off, let me just say that I refused to refer to The Social Network as “”The Facebook Movie””. I dont know why that phrase really irks me.

Secondly, kinda surprised by how much I enjoyed it. Yeah, it was getting a lotta positive buzz, but I still held on to some skepticism going in. But the opening scene won me over like whoa with its quick, smart, witty dialogue. Ya’ll know by now, dialogue is key to winning me over with a film, and this movie totally rocked in that area. I know, not the most articulate profession of love for the spoken word, but hey I mean every syllable.

Cast was good as well. First fell in love with Jesse Eisenberg in Zombieland (Adventureland didnt quite do it for me) because he was such an adorable geek. This time, he was a geek with some edge or at least more backbone than before. Either way, it looks good on him. I’d only two days ago when the latest EW came in realized Andrew Garfield was in this, so that also made me happy. I’ve only seen him in a few flicks so far, but he’s quickly working his way up my list of faves. Points also for Justin Timberlake. I know your first instinct is prolly not to take him seriously, but he’s actually a fairly decent actor. Totally stole the first few scenes he was in, or actually most of ’em.

The plot was very interesting. I’ve got a lot of distractions going on right now that would made it incredibly easy for me to space out during the film, but that hardly happened at all (hey, its gonna happen at least a lil bit no matter what). Kinda makes you wonder how much was really real vs dramatized vs complete bullshit, although Im sure the real story really wasnt gonna be as exciting. It did take a little bit to figure out how all the lawyer meetings fit together, but once you got past that, it worked quite well. Yeah Im not describing that well, but if you’ve seen it you know what Im talking about.

I feel like there should be more for me to write, but my tummy’s rumbling and there’s some guacamole waiting for me in the fridge…

The Social Network – \m/ \m/ \m/ \m/

Let Me In

“I keep having to stop myself from referring to it as Let The Right One In. That was the original, which I have seen. I did enjoy it, but I dont quite think it was the be all end all of vampire movies like many people seemed to think. How does Let Me In measure up? I felt it was very true to the original. I know a lot of people think its sacriligous (sp?) to remake such a well regarded film, but I feel it was done in the right spirit for the right reasons. The idea was to make it more accessible to a wider audience, and as someone who doesnt particularly care for foreign films but loves American cinema ever so much, I am in favor of that notion when executed well. In most cases, the execution is poor, but this would be one of those rare exceptions where it really did work. Unfortunately, based on the small number of people in the theater it doesnt seem like it quite reached that wide audience they were hoping for. THen again that might just be bad timing trying to compete with “”The Facebook Movie”” (which Im shooting for a Sun viewing).

I was about to start this paragraph with “”the biggest win of the movie was…”” then I realized there were two big ones. Torn as to which was bigger. One was the cinematography and direction (yeah I still kinda mash those two up in my mind, I need to start learning to differentiate). There were some beautiful shots, and some very intriguing ones. For example, I loved how much was shot at Owen’s level, and as a result you never saw his mother’s face. There was also a really awesomely done car crash. There was more, I just can’t think of it right now.

The second big win was Chloe Grace Moretz. I find that girl more and more awesome with every movie she does (500 Days of Summer, Kick Ass, now Let Me In). Okay, if the argument for why Ellen Page cant play me in a movie is because by the time they make a movie about me, we’ll need someone younger, then please pick Ms Moretz. She was so \m/ compelling in this movie. Minimal dialogue, maximum presence. I seriously dont think you could have better cast the role.

Onto the negative side of the coin, because unless we’re talking about Aladdin, there’s always one. My big complaint was the bad CGI. It wasnt necessary. The off camera violence was much better than the on camera. What’s so brilliant about this story is that it isnt a vampire tale, its about a unique and special friendship. One of the friends just happens to be a member of club undead. They were this close to going too overboard with demonizing Abby. Also, the pacing walked a very fine line between pefectly suspenseful and painfully slow. I think, had I not been familiar with the story from the original, I might have gotten restless at times not knowing where the story was going.

Worth a watch if you’re into vamps that dont sparkle. I would also venture to say that you could get away with seeing this and not the original, although if you want to be really hardcore and earn some real street cred, then Netflix the Swedish one.

Let Me In – \m/ \m/ \m/


“This one is gonna be tricky to write. Reason being that the main marketing ploy for the film was “”Don’t let anyone tell you what it is””. And while I do tend to be respectful of spoilerage, I feel I should be doubly so with this one, since really all the hype was based on intrigue.

Was it worth it? Eh, not really. I’ll admit, if I knew how it was gonna play out, I dont think I’d have been interested in seeing it. I really did just wanna know what the big mystery was. And all the “”dont be spoiled for this!”” comments made me think of all the Shyamalan movies I was spoilt for, and I really wanted to try and capture some of that magic I’d missed out on.

Today was a good day for me to go, though. I was in the mood for suspense, which ended up heightening it. Otherwise, I probably would have been kinda bored. I will say that it didnt turn out quite the way I expected, and I loss interest once it was all figured out.

\m/ this is tough. I feel Im talking myself in circles. Hmm, well I can say that I did absolutely love Nev Schulman. He was just so charasmatic and sweet, perfect for leading this film. Reminded me of Paranormal Activity’s Micah Sloat, but then again that may have been more due to the filming style than anything else.

Okay, Im gonna stop now. Not too much else I can say at this point. There is potential for much philosophical debate, but we can save that for later, or never…oh and uh Kevin Spacey is Keyser Soze.

Catfish – \m/ \m/ \n

Never Let Me Go

“Its been a while since I last saw something at Coolige Corner. That’s typically my go to place for the indie movies, but given that I barely got to all the major releases I wanted to this summer, indie flicks were sorta outta the question. Speaking of this summer, while Im thinking of it, I need to just list what I did see but didnt write up. Mostly so I can find it at the end of the year when I recap. Maybe I’ll do a quick summer recap later. More likely I’ll be lazy. The list: Inception, The Other Guys, Machete, Scott Pilgrim, The Expendables, Dinner For Schmucks, Salt, Despicable Me, Eclipse, Knight and Day, Jonah Hex.

So it was a little bit of an impulse trip to go to this one. Under normal circumstances, the pick woulda been Wall Street, but instead I put together a schedule of movie watching for the next two weeks (we’ll see if I stick to it) that involves using my freebie ticket on it next week. Anyways, I knew almost zero about this film, but the cast was the biggest selling point: Carey Mulligan, Kiera Knightly, Andrew Garfield. Also, the premise kinda intrigued me. EW gave a spoiler warning before revealing this next bit. I dont think its spoilery (its a necessary plot point), but I’ll do you the same courtesy. Stop reading if you dont wanna know anymore…The three play friends who grew up in a special closed off boarding school. The reason? They’re meant to be organ donors.

The one word I’d use to summarize the film is heavy. Yeah, its kinda messed up, hence why I was curious about it. And its not something to go see if you want something light and fun. But if you want good drama with fantastic acting, its the film to see. I was about to refer to it as intense, but it wasn’t quite there.

As expected, thankfully since that was the main reason I went, the cast delivered. Carey Mulligan and Kiera Knightly are two of the biggest powerhouse actresses of their generation. Mulligan has such an inviting quality that just draws you in. Knightly went a little out of the norm for her, instead of the gorgeous girl everyone loves, her charcater was cynical as a way of masking her brokenness. It came thru really well. And Andrew Garfield was just hopelessly adorable, but also incredible. He brought me close to tears a few times.

Rushing to wrap this up cause Im expecting company soon, but this one is definitely worth a watch if it intrigues you as it did me. Just be sure you’re in the right mood for it.

Never Let Me Go – \m/ \m/ \m/ \n

Easy A

“Look, Ma, Im being good and doing my write up right away. Okay, my mom doesnt actually read this. She doesnt even know it exists, not that she’d know how to find it if she did. That’s a whole ‘nother completely unrelated and boring story. Also, there may have been a short break for froyo before gettin’ to work here. Not my fault that there’s a Ufood right next door to the theater that offers really cheap low calorie delicousness. Can you tell I never quite know how to start these things?

I find it kinda weird that there weren’t many late summer movies I was psyched for, but early fall has lots of potential. Easy A was def on my list of movies I was eagerly anticipating. The buzz was that it was a new Mean Girls. I’d actually put it a bit closer to Juno than Mean Girls, but that’s a very nitpicky distinction that’s gonna matter to no one except me. I guess the main reason for that, at least in this twisted mind of mine, is that from the trailer I was expecting some Diablo Cody-esque dialogue. We all know (or at least you will know in five seconds) that dialogue is what makes or breaks a movie for me. And comedies with witty quoteable dialogue are pretty much the best thing ever. This was just about there. Definitely clever, but not too much that I’d expect to be quoting for all of eternity. Although I think that might have been a matter of overly heightened expectations on my part.

On the other end of the writing side (writing clearly not being my strong suit, seriously am I even intelligible today?) I really did like the premise. It was unique yet relatable. And the characters were fantastic. I daresay the adults really stole the show. In particular, love love loved the relationship Emma Stone’s character had with her parents. First its just awesome having Stanley Tucci playing your dad, but he was totally my favorite character. I know its starting to become a fantastical cliche to have the totally relatable cool parents in movies, but I dont think its all that far fetched. I think my Daddy and I had a somewhat more toned down version of what they have. Wow, and I am about to go off on yet another unnecessary tangent, so Ima just gonna stop right there.

Since the last thing I was talking about was the cast, I need to put a word in for Emma Stone. I think I love her more with each movie I see her in: Superbad –> Zombieland –> Easy A. I’ve said that one day when they make a movie about my life I want Ellen Page to play me. Well, if she’s unavailable and there’s absoloutely no way to make it happen, then I suppose Emma Stone can step in.

There were a few other small gems here and there throughout the film that amused me. First, MAJOR bonus points for featuring The Dollyrots on the soundtrack! They are a fave band of mine that I’ve been obsessing over for the past few months. Saw them twice and have talked with all three members. They are seriously some of the sweetest most awesomest peeps you could ever encounter. But yes, very appropriate use of their “”Bad Reputation”” cover. Also loved all the references to 80’s movies. That’s another thing that’s starting to get a bit overdone, but the references were quite cleverly integrated. Lastly, I really liked what they did with the names in the opening credits. Creativity with the credits is another way to quickly and easily earn major bonus points with me!

Sooooo yeah, definitely enjoyable. Again, something fell a little flat, but I feel if I take a half a rock hand off of my rating, I’ll end up feeling like a total tool later as I remember the film more and more fondly. I know, not making sense on paper (err type? screen?) but it makes sense in my head.

Easy A – \m/ \m/ \m/ \m/

The Town

“Wow its been 3 months, almost to the day, since I last posted. Guess my summer ended up being crazier than I expected. But Jesus Christ Superstar was struck last night, bringing my extra curricular commitments back down to zero. I was able to get all of my big summer must movies in, but didnt really get any indies or maybes. At least I was watching shit because I really wanted to (since I had to make the time for it) and not because I felt obligated.

Moving on. The Town. First thing to note: Boston movie! yay! And extremely well done on the Boston-ness. Yes most of it was based in Charlestown, but there was much quality footage of Boston itself. It wasn’t one of those “”oh yeah we’re in Boston”” but really they’re in some obscure area of the city, or “”I swear this is Boston”” but they’re really filming in Canada *cough**cough*Fringe*cough** Especially loved that a good 30 min of the film was in the Fenway area, just blocks away from my apartment and blocks away from the theater I was watching the film in. Those are streets I walk down almost every day. And the image of Jon Hamm surrounded by Red Sox banners was beautiful. Okay, so that picture doesnt do it much justice, but this adopted Bostonian was quite happy.

The one thing that did make me kinda sad about the whole Fenway thing is I remembered how pissed I was on a random Monday morning that fall when they were filming. Why? The first thing I read on that tragic day was how they’d spent the whole \m/ weekend shooting down the street from me, and I \m/ missed the whole thing?! Although that’s not as bad as how one of my co-workers missed out on the film. I’d read one day (also on that they were looking for locals, preferably with Boston accents, to be extras. So I told this buddy of mine, and he showed up to the cattle call. He was all excited that you could see him for half a second on this news clip about it. A few weeks go by and he doesnt hear anything. Then one day I get to work and the guy is in a mood. Apparently they called him on his work number (sad child doesnt own a cell phone) at 4:45 the day before that they needed him that day…he had left at 4:30 and got the message too late. I still tease him about this.

Enough Boston nostalgia, what did I think of the actual movie? To be honest, Im still in a bit of a sleep deprived state (hell, I went to sleep at 5 AM after striking JCS last night) so Im not exactly gonna be the best judge of such things this time. I did enjoy it though. Very interesting character piece with some good acting. Ben Affleck has definitely turned his reputation around since he moved behind the scenes a bit more. Again, maybe just biased on the whole Boston thing, but I do think directing suits him as did his role in the film. It definitely felt very personal, like he put a lot of himself into it. Loved Jeremy Renner, although part of me still always thinks of him as Penn on Angel for that one random episode. And its great to see Jon Hamm as not Don Draper. Very psyched to see him in more films in the future. As far as the gals, Rebecca Hall just rocks and I didnt even recognize Blake Lively until I remembered she was in it. Her accent was a bit hard to understand, though.

Okay so no real meat to this write up. Sorry, hafta get back in teh swing of things. But the plan is to go back to my hard ass rule of writing up everything I see in the theater. Debating whether or not to start up another side project. Definitely got somethign in mind, but gotta work my way through my movie queue first. All the TV DVD’s that get released just before the fall season starts are piled up pretty high on my little table. We’ll discuss this again once I knock that down a bit

The Town – \m/ \m/ \m/ \n