Wow this movie is so 90s. Normally, if I would say a statement like that it’d be drenched in nostalgia, but I’m not sure how much the 90s vibe is a good thing here. It’s making it difficult to take this seriously as an Oscar contender or a Meryl Streep film. It was the year where Shakespeare in Love beat out Saving Private Ryan and Roberto Benigni stole it from Edward Norton, so I guess the Academy was on crack that year.
Srsly tho, the costumes, the score, the cinematography, the title, the Renee Zellwegger. So so 90s.
Renee is a young professional who moves back home when Mama Meryl is diagnosed with cancer. I’m struggling to watch this, and I think it’s because of how demanding and calloused the dad (William Hurt) was about insisting that she do this. Something my parents were always so so good about is allowing me to live my life, and not allowing any of their issues to get in the way. Daddy never let on how sick he was at the end so that I wouldn’t worry. Mom has gotten as many of her affairs in order so she won’t be a burden later, and under no circumstances would want me to have to take sole care of her. This is something I appreciate more than I could possibly articulate, and seeing parents in this film that are doing the exact opposite breaks my heart.
I really don’t get this as a nominee. First off, Meryl is up for lead, but this is really Renee’s film. Second, this is not an Oscar caliber film. But Meryl is playing a sickly mother, which is often an awards bait-y type of role. We hadn’t seen her do that yet, and of course, the Academy recognizes her every time she does something different.
Whoa whoa whoa whoa whoa, this movie is set in the 80s? Did anyone tell the production design? Or the costumer? Did I mention I’m live blogging this entry (with a delayed posting).
Okay Meryl just had an epic monologue (even if the dialog is cliche) and the nomination is making more sense. Still surprises me though that they took this movie that seriously.